"Au Hasard" is an experimental short film exploring how perception shapes understanding in an age of manufactured truths. The piece employs a new analog anaglyph technique called “Duel-Vision” in which two distinct visual tracks are projected simultaneously, but can only be partially seen by each viewer through colour-coded decoder glasses. The work deliberately fragments an audience’s experience, offering an embodied reflection on propaganda, selective attention and the politics of perception. Drawing on archival imagery from the 1940s and 1950s, an era of mature propaganda dissemination, "Au Hasard" invites viewers to consider not only what is seen but what is missed.

“Curtains” is an expanded cinema piece designed specifically for theatrical projection. The film is composed so that its primary imagery appears in the left and right margins of the 16:9 widescreen frame with the curtains closed in to 4:3 pillar box. This spatial reorientation shifts visual attention away from the screen’s centre and toward the periphery — evoking the cinema as both subject and surface. The film's form references the ritual of projection itself — its beginnings, endings, and spatial memory.

Coming soon...a six-minute experimental short exploring hoarding and estrangement

The premise is simple yet profound: borrow a human book, discover a life. Human Library is a global phenomenon engaging people with the real-life stories told by fellow human beings. This is the story of one human book…

It’s been a long road for Antonette Rea, a trans* woman who journeyed from suburban dad to drug-addicted sex worker. Now she bares her soul through poetry to be heard by the world. When she speaks you’ll be riveted.